|
The Locals
A film review by Jason Pitt For Critical-Film.com
Before I begin the review, I'd like to address something about the state of DVD releases from small companies, in Canada in particular. When I purchased “the Locals”, I certainly noticed the print within the “Special Features”, which stated the film was in Full Frame 4x3 1.33:1. I figured it's a small release, maybe it was filmed in 4x3, who knows. Apparently the other DVD releases around the world preserve its original aspect ratio, which is a widescreen format. I don't understand why, when 80% of televisions produced these days are high definition widescreen sets, we're clinging to the 4x3 format. It's terrible, as I'll be a widescreen supporter until I die.
“The Locals” is a clever little horror movie from New Zealand, which hasn't really produced a lot of spectacular horror films, as far as I'm aware, with the exception of Peter Jackson's early output. “The Locals” however, is a particularly enjoyable ghost story. It's clever and well thought out, providing a few twists along the way, which should catch you at least somewhat off-guard.
The movie begins with the movie's central character Grant waking up, a picture of him and his girlfriend sits next to the bed. It's revealed shortly afterward, that his girlfriend has left him. (The reason given is particularly funny). His buddy Paul shows up, planning to take them both far away, to take Grants mind off of things. Needless to say they take a shortcut down a back road, leading them further into the darkened countryside. They discover an old farmhouse, and witness a frightening act of violence. Soon, the two friends get separated, and find themselves fighting for survival against the locals.
The extent of character development is Grant sleeping next to a picture of his ex-girlfriend. Beyond that, there's none. Surprisingly, however, it's enough, as both leads breathe a certain amount of life into their characters, which makes them both enjoyable and sympathetic, regardless of depth. The characters are so enjoyable that one can't help but feel completely involved, as their situation worsens with the progression of plot.
The story itself is constrained to the time period in which the film takes place, which is essentially over the course of one night. Anything that's happened before the film, or after its credits remains a mystery. This is both a credit to and detrimental to the overall effect of the film. Essentially we endure this horrific night with our protagonists, having no information that they haven't received through interaction with the films secondary characters. This keeps us as much in the dark as possible, throughout the films major developments. However, this technique also leaves much of the film unexplained, preventing the viewer from being completely satisfied. There's not as much closure as there should be.
While not particularly inventive as far as technique goes, the screenplay and storytelling technique are moderately original. It won't stay with you long after you see it, as it's not particularly scary, or gory. It will however, provide an enjoyable ninety minutes of viewing. I won't go so far as to suggest it's completely original, because it's not, but there is enough creativity in the script to warrant a viewing. I do suggest however, if you are considering a purchase, buy the American version of Ebay. This suggestion is obviously directed toward Canadians, as the Canadian release is quite a poor presentation. I certainly recommend it for both the casual horror fan, and those seeking something unique, in what is becoming an increasingly unoriginal genre market.
This review was provided in HTML format, as your browser is not capable of displaying flash content. To experience Critical-Film.com the way it was meant to be seen, please download the flash player from Macromedia. |